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Lot No: 930

Estimate(RMB): 500,000-600,000

Price Realized(RMB):575,000(Including commission)

度母腰肢纖細挺拔,腹部肌肉線條明晰,顯得極為勻稱健美。袒上身,下身著輕薄貼體長裙,帔帛纏繞雙臂,自然流暢,富有質感。全身飾以繁密精細的瓔珞,華麗的項圈、環(huán)釧與耳飾交輝相應,身體兩側的蓮花枝繁葉茂,較少見于其他造像中,整體工藝精細,藝術效果極強。綠度母左手結說法印,右手置膝間施與愿印,腳踏蓮花,呈游戲坐姿坐于束腰仰覆蓮臺座上,臺座上下邊緣飾連珠紋,蓮瓣尖細,瓣頭略微上翹,具有明早期遺風,有別于康熙年間圓潤飽滿的蓮瓣樣式。夾纻工藝萌芽于戰(zhàn)國,興盛于隋唐,其步驟繁瑣,屬漆器工藝中難度較高的做法,主要為皇家御用高級匠師所掌握。 此尊康熙年間的京作夾紳綠度母像,承襲了明早期蓮座的風格,造像整體明顯帶有漢藏風格相融合的特點,展現出極高的藝術水平,是難得一見的精品。此尊綠度母造像與現藏故宮博物院的一尊綠度母坐像和2015年北京誠軒秋拍的一尊夾纻漆金菩薩坐像無論造型、題材、風格都極為相似。雖與上述拍賣的綠度母同為夾纻胎,此尊綠度母像在藝術水平上更上乘,此尊開臉剛柔并濟,身姿曼妙靈動,腳踏蓮花,欲動未動,動靜結合,可以看出每處細節(jié)匠師均有巧思。同時,在皮殼表現上,此尊彰顯出高貴典雅的皇家氣派,可見漆質更為上乘,用料更為扎實,實屬康熙年間宮廷造像之典范。KANGXI PERIOD, QING DYNASTY A LACQUER FIGURE OF GREEN TARAH:32.5cmRMB: 500,000-600,000
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